Maandy Breaks Silence on Dyana Cods Rivalry with Bold New Single “Side Hii”

Kenyan rapper and rising music figure Maandy has released a bold new diss track titled “Side Hii”, which appears to take aim at fellow artist Dyana Cods.

The announcement came via Maandy’s Instagram Story, where she posted the succinct caption:

“Sikutambui, Sikajui, Sikuski” — a phrase loosely translating in Sheng to “I don’t recognise, I didn’t know, I didn’t care”, setting the tone for a confrontational release that has supporters and curious listeners tuning in.

Context Behind ''Side Hii''

Maandy (full name Mitchelle Wambui) has been a growing presence in Kenya’s hip hop and urban music scene for a few years, releasing tracks that span genres from rap to dancehall‑infused sounds.

Her catalogue includes singles like Bubbly Bubbly and Senke, which showcase her dynamic flow and melodic versatility.

Targeting Dyana Cods

Although neither Maandy nor her team has publicly explained the specific reasons behind Side Hii’s sharp tone, many listeners interpret the track’s lyrics and its caption as directed at Dyana Cods — a fellow Kenyan artist known for her versatile voice and presence in both Afro‑pop and rap circles.

Also Read: Singer Maandy warns upcoming rapper on being used and dumped 

Dyana Cods has collaborated with various musicians, including features on tracks like Picha with Wadaglizke, which showcases her adaptability across styles.

Fans on social media have pointed out the lyrical content and underlying metaphors in Side Hii as potential reference points to their perceived professional rivalry, though specifics remain a subject of debate among listeners.

Maandy’s Musical Evolution

Before Side Hii, Maandy had built her reputation on tracks that leaned into both upbeat party vibes and introspective rap.

Her breakout moments included songs celebrated for their energy and hook‑driven structures, such as Bubbly Bubbly, which generated significant online engagement and spotlighted her as one of the female rappers pushing boundaries in the Kenyan scene.

Side Hii reflects a more confrontational mode, blending traditional rap braggadocio with a modern production style that aligns with the competitive nature of hip hop.

The track’s name itself — Side Hii, meaning “this side” — suggests a declaration of stance or territorial lyrical position within the broader music landscape.

Fan Reactions and Industry Buzz

Since its release, Side Hii has sparked widespread discussion across platforms like TikTok, Instagram and music forums.

Fans have reacted not just to the content of the track but also to the broader implications it might have for relationships between artists in Kenya’s relatively tight‑knit hip hop community.

Some listeners praise Maandy for her lyrical confidence and boldness, arguing that assertive tracks are a core part of artistic expression in hip hop.

Others have raised questions about the industry dynamics that may underlie such musical clashes, noting that Kenyan hip hop and urban music have evolved into a competitive arena where standout tracks often push artists into dialogue — or disagreement — with each other.

Dyana Cods’ Presence in the Scene

Dyana Cods herself has carved out a strong presence in Kenyan music, known for crossover appeal and collaborations.

Her work has connected with multiple audiences, from dance‑oriented tracks to more lyrical pieces.

Fans of hers have also weighed in on Side Hii, defending her contributions and questioning the messaging behind diss themes.

Regardless of where opinions fall, Side Hii has undeniably elevated Maandy’s visibility this week, catalysing conversations about rivalry, artistry, and the evolving contours of Kenya’s rap culture.

What’s Next?

With Side Hii gaining traction, fans and industry watchers alike will be watching how both Maandy and Dyana Cods respond.

For now, Side Hii stands as a defining release of the moment — controversial, bold, and undeniably influential in shaping conversations around contemporary Kenyan rap.