NAIROBI: At 5pm, as offices empty across the city centre, a different kind of rush begins outside the Kenya National Archives.
Instead of heading straight for a matatu, commuters are stopping to sing, dance and pray at the stage on Moi Avenue.
The event, nicknamed Sherehe ya Archives, runs until 10pm every evening. It has one rule: no alcohol.
A busy stage, reimagined
The cabro-paved grounds were long a place to queue and wait. Now they host DJs, whistles, flags and impromptu dance circles.
The building itself has deep roots in the city. It was commissioned by the National Bank of India and completed in 1931. Kenya Commercial Bank later occupied it, which explains why the nearby stage is still called “Commercial”.
It is also a busy spot. Thousands of Nairobians pass the building every day. Many now linger.
How the evening unfolds
The programme moves through several moods. It opens with gospel classics such as Rose Muhando’s Nibebe, which the crowd sings word for word.
Hits by Wernono Crew and Daddy Owen, popularly known as Papa Fololo, follow, along with newer releases.
The DJs then bring in regional sounds. Emmy Kosgei’s Kalenjin music is followed by Kigoco, a Kikuyu dance rhythm.
Near the end, the tempo slows. Worship ballads take over, and many in the crowd raise their hands and sing quietly.
“Revellers say the only spirit moving through the crowd is the Holy Spirit.”
Online audience
Footage shared under the “Pulpit on the Streets” banner has racked up millions of views. Comments have come from Kenyans in the diaspora and in other towns.
One user, Ms Vonne, wrote that Kenya “is a vibe”, while another, Mummy Melissa, said she missed home and prayed for Kenyans.
Who turns up
Office workers, traders, students and casual laborer's all join in. They share one space and one playlist.
For many, the daily wait for transport has become something to look forward to.
Heading home
At about 10pm the last song fades, and the crowd boards waiting matatus.
Voices are hoarse and feet are sore, but participants leave smiling, many with a prayer still on their lips.
